And it is important to me. Furthermore, the Julia Stoschek Collection is committed to sustaining the special character and values of this institution, saving them for future generations. Other collectors influenced me... Harald Falckenberg from Hamburg and Ingvild Goetz from Munich... one of the few female collectors and the first to focus on time-based media. We just had a show of Elaine Sturtevant and tomorrow we are opening an exhibition of Elizabeth Price. Unbelievably problems came up with showing a work related to the performance and the body of an artist – namely *Art Must Be Beautiful. Brose Fahrzeugteile - Wikipedia Julia Stoschek was born in 1975, the daughter of Michael Stoschek, a German billionaire businessman, chairman of Brose Fahrzeugteile, the German car parts company founded by her great grandfather Max Brose. Function: require_once, Message: Undefined variable: user_membership, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php Collecting is of course connected with the art market, with the cost and value of works. I can’t speak for the artists themselves, but I think, that the engagement with political aspects is always part of the development of an artist and it is also very important to generate their own point of view. Art sends out a signal of freedom and independence – and that is what really counts for me. The free access is something very important to me. La collection se concentre principalement sur l'image en mouvement des années 1960 à nos jours et comprend différents médias: vidéo, simple et analogique, images numériques, environnements multimédias, ainsi que des installations basées sur le réseau informatique et aussi des performances[2]. I am in love with this art form and I am more than happy that the collection exists and that a wonderful group of people is helping me to take care of it. The JULIA STOSCHEK COLLECTION is a private collection of contemporary international art with a focus on time-based media. By using this website you consent to our use of cookies in accordance with our data privacy statement. Line: 68 Yes, the theme of conservation and preservation is of great importance for the collection. JULIA STOSCHEK COLLECTION is a performing arts company based out of 54 Schanzenstrasse, Düsseldorf, Germany. Function: view, Ordre du Mérite de la Rhénanie-du-Nord-Westphalie, https://fr.wikipedia.org/w/index.php?title=Julia_Stoschek&oldid=175723720. Biographie; Naissance: 10 juin 1975 (45 ans) Cobourg. Statement von Julia Stoschek zum 100-jährigen Jubiläum des Frauenwahlrechts anlässlich der Kampagne "100 Jahre - Unsere Stimmen" vom Deutschen Frauenrat. But to exhibit them in an appropriate space, with good sound, is rather complicated and takes time and effort in the planning and the realization. Opened in 2007 the Julia Stoschek Collection holds one of the most extensive private collections of media art in Germany, located in a historic factory building in Düsseldorf. Three years later, Michael Stoschek, grandson of company founder Max Brose, took over at the age of 23. Latest: Sword kills strange monsters Ziddi The JULIA STOSCHEK COLLECTION is making its collection of over 860 works by 282 artists available online for free and without any restrictions. Stoschek took … What has collecting brought to your life and to your lifestyle? Collection of Our Time – Sergej Timofejev from Arterritory in conversation with Julia Stoschek: one of the most active and famous collectors of time-based art. However moving image can maybe better than other kinds of expressions reflect on political circumstances or movements in society, because it is more precisely and more direct. Polite, self-assured, energetic, Julia Stoschek, who is a well-known owner of a collection of world class video art looked like a true leader of her team. As one of the largest private collections of time-based media art in the world, the JULIA STOSCHEK COLLECTION strives to advance the consistent democratization of this art form. I am interested in art as such, whatever the gender of the author might be. I was born in 1975 and grew up in the era of video and MTV; my father always liked new technologies and the opportunities they offered, so we would of course have a video camera at home. I am a lucky person. That is indeed a beautiful reference point, which is actually directly related to time. You not only collect this art but also preserve it for future viewers…. Do you make a point in collecting that kind of work? What can I say? Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php What served as the first impulse for forming your collection? Line: 478 I have a very personal relationship with each of the works in my collection. I am not a dealer, I don’t want to sell the works. Line: 208 Twenty minutes and three hours. That is quite a personal question to me… (*Laughs*). Works in the collection span video, film, single and multi channel moving image installation, multimedia environments, performance, sound, and virtual reality. Elle étudie la gestion des affaires notamment dans le secteur automobile à l'Université de Bamberg. 24k Followers, 1,045 Following, 583 Posts - See Instagram photos and videos from JULIA STOSCHEK (@juliastoschek) For me, honestly, this is not really important. Explore {{searchView.params.phrase}} by color family {{familyColorButtonText(colorFamily.name)}} German art collector Julia Stoschek attends the 'Django' premiere during the 67th Berlinale International Film Festival Berlin at Berlinale Palace on... Gabriele … It was a sunny September day. I like this juxtaposition of the recent past and the present. For that reason, I am very much interested also in works that are already “historical”, like those of Bruce Nauman, Gordon Matta-Clark and Vito Acconci for example. Depuis 2004, elle est membre du conseil d'administration de la Kunst-Werke de Berlin. Still we do not only preserve but also show art. “WELT AM DRAHT” (english: WORLD ON A WIRE) is the title of the first presentation in the new temporary JULIA STOSCHEK COLLECTION satellite at Leipziger Strasse 60 in Berlin’s Mitte district. But that makes no difference to me. I like this juxtaposition of the recent past and the present. And I like to show art works and to observe the interest of viewers, as it was in Budapest or Kiev a few years ago where the exhibition was extremely well received with about 2000 visitors a day. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_harry_book.php It requires much effort and financial investment. Resorts near Julia Stoschek Collection, Dusseldorf on Tripadvisor: Find traveler reviews, 35,660 candid photos, and prices for resorts near Julia Stoschek Collection in Dusseldorf, Germany. In this sense, it would be interesting to find out more about your exhibition space in Düsseldorf. Is it like that for you as well? The piece is in fact the very first video work that I ever acquired. We talked to Julia Stoschek right there, in Riga’s Art Space. For instance a wonderful music video in 3D for Björk by Encyclopedia Pictura is in my collection. Of course. This was the three-channel video installation «Play Dead Real Time». I am often asked wherein lies the difference between cinema, film, and video art… For me this is not important… a wonderful music video in 3D for Björk by Encyclopedia Pictura is in my collection. Thematic exhibitions take place there regularly, highlighting one series of important works or another from her collection. Stoschek’s collection currently numbers over 700 works by around 200 primarily European and US artists. Yet its global nature notwithstanding, this medium turns out to be quite fragile in face of — yes, time, because these works are recorded with a certain technique and with the help of particular technologies, which age fast and are replaced by new ones. I am not a dealer, I don’t want to sell the works... Time-based media art is not the most popular sphere for investment or speculation. This website uses cookies. Many collectors talk about their very personal relationships with this or that object from their collection. You know, I am a very emotional person, an enthusiast and I think it’s my fate. Julia Stoschek est impliquée dans la gestion de nombreuses collections et musées. JULIA STOSCHEK COLLECTION is a private collection of … But that’s Russia – here in Latvia we did not encounter anything like that. References ^ That´s how many personal moments of my life have been preserved on video. Après l'obtention du diplôme, elle s'investit dans la gestion culturelle[1]. 930 personnes étaient ici. Activité: Collectionneuse d'œuvres d'art. His daughter Julia Stoschek is an art collector, specializing time-based media art, and runs the Julia Stoschek Collection in Düsseldorf, which opened in 2007, and has two floors of exhibition space, over 2500 m2. This was a powerful moment, which had a great impact on me for my later decision to become a collector. Order the latest issue of the magazine here. Achetez neuf ou d'occasion Yes, of course. Julia Stoschek, née le 10 juin 1975 à Cobourg, est une collectionneuse allemande d'art contemporain. Julia Stoschek. Motels near Julia Stoschek Collection, Dusseldorf on Tripadvisor: Find traveler reviews, 35,560 candid photos, and prices for motels near Julia Stoschek Collection in Dusseldorf, Germany. Do you have a special interest in what female artists are doing, that is, in feminist art? For such a collection thus a large and well thought out space is a must where any interested party could view it (to share and show these works is one of the most basic intentions of … The entrance to our exhibitions is generally free. Its title, *High Performance*, became the name of the entire exhibition. Do you consider video not only a contemporary but also an essentially political medium? If you begin your collection with the art of the 1960s, I would like to ask you how you formulate for yourself the difference between the experimental filmmaking that existed until the emergence of video art and the video medium? For that reason it was very strange to encounter attempts of censorship at Manifesta in St Petersburg where the collection was invited to show works in a film program. I am trying to connect to his or her creative trajectory and to choose the best works from different periods to form an overall impression about his or her individual path and approach. And it was all because of the nakedness involved. And the ephemeral quality, the impermanence and the determined development of our era seem to me best represented by the moving image. Actually, if we look at the history of the genre, in the 1960s most of the first works in video art are recordings of performances, which are first and foremost related to the body and many of them were made by female artists who found this theme most important at the time. Riga’s Old Town was full of tourists, and the air was full of expectation and promise. Other collectors influenced me as well, for example, Harald Falckenberg from Hamburg and Ingvild Goetz from Munich. Michael Stoschek was born in Germany. Droit d'auteur: les textes sont disponibles sous licence Creative Commons attribution, partage dans les mêmes conditions; d’autres conditions peuvent s’appliquer.Voyez les conditions d’utilisation pour plus de détails, ainsi que les crédits graphiques. © 2012 - CNRTL 44, avenue de la Libération BP 30687 54063 Nancy Cedex - France Tél. And one day I walked into this gallery where I saw the very first video installation of my life. After all, it is impossible to evaluate the worth of a work in video by a momentary glance: it always requires from us some time, which we either are or are not ready to spend on it. But since devoting herself entirely to art, she functions solely as a partner of the company Brose Fahrzeugteile (vehicle parts), located in Coburg. Founded in 2007, the private collection boasts over 700 works by around 200 primarily European and US artists. Do you think that the value of video works will increase in the future? That is, the genre seems historically to have a certain feminist quality. It is a wonderful industrial building. I´m very glad the works are here in Latvia right now and will be seen by a completely new audience and – hopefully – become part of their cultural experience. Line: 107 A group of people led by a young elegant woman quickly walked to the Riga Art Space building. Also we offer guided tours free of charge. It was a work by Douglas Gordon in which an elephant played his own death. Artist Must Be Beautiful* by Marina Abramovic. The concept behind it is to show the development of video art since the beginnings in the 1960s to the present. Career. Time is an important component in the collection of Julia Stoschek, which already numbers about 600 works, and she calls it the collection «of the time-based art». Michael Stoschek is Chairman of the Brose Group. Julia Stoschek was born in 1975, the daughter of Michael Stoschek, a German billionaire businessman, chairman of Brose Fahrzeugteile, the German car parts company founded by her great grandfather Max Brose. Reinking Collection — The Essence of Existence at Woods Art Institute, STUDIO BERLIN – Boros Foundation x Berghain. We live in the digital era and the spirit of the times plays an important role in my collection. Let us fight for the freedom of art! For such a collection thus a large and well thought out space is a must where any interested party could view it (to share and show these works is one of the most basic intentions of this young but very goal-oriented collector). We have two floors of exhibition space and in the basement there is a special screening room. “I collect video art because I believe that it is the medium of my generation,” Stoschek explains. Browse 257 julia stoschek stock photos and images available, or start a new search to explore more stock photos and images. ; J黵gen Otto was appointed CEO of the Brose Group in 2005 after Michael Stoschek withdrew from the management board. Function: _error_handler, Message: Invalid argument supplied for foreach(), File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php Maybe that is why not so many private collectors get involved with this medium, in contrast to specialized and experienced museums, which purchase such works for their collection. Restaurants près de Julia Stoschek Collection : (0.35 Km) The Lox (0.52 Km) Kaffeeschmiede (0.57 Km) Brasserie Huelsmann (0.52 Km) Brauhaus Alter Bahnhof (0.52 Km) Gelateria La Romana - Düsseldorf; Voir tous les restaurants près de Julia Stoschek Collection sur Tripadvisor Visitors are welcome every Saturday and Sunday. Retrouvez The Julia Stoschek Collection et des millions de livres en stock sur Amazon.fr. His daughter Julia Stoschek is an art collector, specializing time-based media art, and runs the Julia Stoschek Collection in Düsseldorf, which opened in 2007, and has two floors of exhibition space, over 2500 m2. File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php Of course, the prices of masterpieces have constantly gone up. Julia Stoschek is an heir to the family-owned auto parts company Brose, founded by her great-grandfather Max Brose. In addition, the works and the exhibitions travel and are shown in various places and contexts, just as here, in Riga, at Riga Art Space. Yet she chose a different path and, without a question, she has managed to establish it in a very businesslike manner: well reasoned and precisely. It opened in 2007 in an old factory building erected in 1907. Can this art say something new and interesting about time itself? In line with the JULIA STOSCHEK COLLECTION’s insistence that it be contemporary, the exhibition is devoted to media-based pieces that address the influences […] Noté /5. How has your personal relationship formed to video as a technology and part of the contemporary lifestyle? The next one planned is with Trisha Donnelly but all of this is rather a coincidence. References ^ In 2007, in her native Düsseldorf a building was unveiled that had been specially designed to turn a former factory into exhibition space. I really like the term you use to characterize your collection, time-based media art. The Brose Group's shareholders include Michael Stoschek, his daughter Julia Stoschek and his son Maximilian Stoschek, his elder sister Christine Volkmann and her eldest daughter. I wouldn’t say that it’s a priority for me. There is also a cinema for 16 and 35mm films. La dernière modification de cette page a été faite le 1 septembre 2018 à 18:07. I consider it a work of art. “From that moment on, art and collecting art began to shape my life.”. ; The Brose Group's shareholders include Michael Stoschek, his daughter Julia Stoschek and his son Maximilian Stoschek, his elder sister Christine Volkmann and her eldest daughter. Since Gutenberg invented the printing machine, there has been no radical change in the history of mankind comparable to the emergence of digitalization and the Internet. Nationalité : Allemande. Gabriele Stoschek: Children: Julia Stoschek Maximilian Stoschek: Michael Stoschek (born 1947/1948) is a German billionaire businessman, chairman of Brose Fahrzeugteile, the German car parts company founded by his grandfather Max Brose, a Wehrwirtschaftsführer in Nazi Germany. Luckily the democracy here seems pretty in tact and as a member of the European Union will hopefully remain so. C'est une collection privée internationale d'art contemporain mettant l'accent sur les médias. Achetez neuf ou d'occasion Julia Stoschek collects not only original works, but also the relevant equipment – the whole thing. Early life. Retrouvez Julia Stoschek Collection: High Performance et des millions de livres en stock sur Amazon.fr. That is why I collect these works. Line: 315 Les œuvres sont présentées au public à Düsseldorf dans un bâtiment dédié à la collection[3]. Line: 479 JULIA STOSCHEK COLLECTION | 18 abonnés sur LinkedIn. I am often asked wherein lies the difference between cinema, film, music videos and video art. After she had walked through the entire exhibition with her colleagues, making sure that the exhibit looks respectable and feeling happy about it, we sat down to talk behind a round table adorned by a couple of bottles of mineral water. I consider it a work of art. Son grand-père Max Brose est le fondateur de l'entreprise du secteur automobile Brose Fahrzeugteile (de). Depuis 2011, elle est membre du comité d'acquisition de la collection d'art de Rhénanie du Nord-Westphalie. I lived in New York studying business and economics, but I was also interested in the local art scene. Julia Stoschek Julia Stoschek, born in 1975, is a great-granddaughter of the industrialist Max Brose. On the other hand, that kind of art expresses our time, the Zeitgeist, where the video camera is a part of practically every family’s equipment (and now is simply built-in in every smart phone or tablet) and a video recording is now as common as, say, the cutting of wood a couple of hundred years ago. But you know, just take a walk through the Hermitage and you will run into, say, a nude by Rubens and all these other works involving nudity. In the Düsseldorf space we have continuous exhibitions running most of the time showing works from the collection in different presentations. Time-based media art – fortunately – is not so popular on the secondary market; luckily it is not the most popular sphere for investment or speculation. What are some other differences between this and more traditional types of collecting? 3”. Yet it seems to be prohibited to show nakedness in more contemporary works like moving images or photographs. If a video is subject to censorship and is prohibited, does it then mean that it possesses the potential of free-thinking? Please note: The current opening and closing hours and special hygiene rules for the Covid-19 are available on this website. : +33 3 83 96 21 76 - Fax : +33 3 83 97 24 56 Depuis 2012, elle appartient au conseil d'administration du MoMA PS1, New York, et le Conseil de surveillance de la Kunsthalle de Düsseldorf, le conseil de la Tate à Londres et le comité de la performance au Whitney Museum of American Art à New York[6]. Noté /5. And I have that kind of relationship to all of the works – sometimes it has to do with some significant situation in the artist’s studio; at other times it has to do with some specific gallery, city or place. She studied business management and at first helped run the family business. The sadness and power inherent in this work impressed her so much that she spent in front of the screen that featured this 20-minute work that was repeated again and again about three hours. Her education is in business and it is possible that her father a relatively important German businessman hoped that she would move in the same direction. She was one of the few female collectors and the first to focus on time-based media. “This video was presented in a completely different format than all these countless black boxes that I had seen up to then,” she recalled. To transport them is relatively easy, you simply take the disks with recordings with you. Julia Stoschek https://www.julia-stoschek-collection.net Autor Burkhard_Maus Veröffentlicht am April 25, 2019 Mai 1, 2019 Kategorien Blog , Exposition , Film , Kolloquium , Konferenz , Museum , Personalie Schlagwörter Julia Stoschek , Julia Stoschek Collection The collection does not have a particular theme. En 2016, Julia Stoschek ouvre une annexe pour sa collection à Berlin[4], dans l'ancien centre culturel tchèque de l'ex-Allemagne de l'Est[5]. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php Function: view, File: /home/ah0ejbmyowku/public_html/index.php … (*Laughs*). Here in Riga a work by Aaron Young involving a motorcycle that is permanently revolving on the spot at full speed is exhibited.